Banna in the Room
‘Banna in the Room’ is a revisiting of the 1971 documentary film ‘An Elephant Hunt’ based on true events. In 1970s, when the Shanghai zoo sent a team to Xishuangbanna rainforest (Colloquially “Banna”, a Dai Autonomous Prefecture located in the Southwest China, bordering Myanmar) to capture a teenage elephant back for the purpose of exhibiting it without any knowledge about wild elephants, this turned out to be a huge disaster – leading to the death of five adult elephants. The state-sponsored hunting story turned into a household educational film called ‘An Elephant Hunt’ in 1973. The teenage elephant, called ‘Banna’ (shortened from Xishuangbanna), spent 46 years in the Shanghai zoo. She was ‘matched’ with another elephant from Myanmar, called ‘Bhamo’, and in all Banna gave birth to 8 calves. Banna died in 2018 at the age of 54, remaining the most beloved animal of the Shanghai zoo for several decades. The original film represents how taming wild elephants became a badge, in China, of technological progress and national self-reliance. Enacting the long-ignored elephant voice of Banna and a Dai boy’s story, ‘Banna in the Room’ brings forth the forgotten, and perhaps unfortunate, histories of the socialist construction of human-animal relations.
Introduction of Paan
Paan is an annual, bilingual, thematic journal dedicated to Asian history, culture and political issues. Founded in 2019, we call for a series of articles, photos, works on paper to greet a general theme in each issue. The first issue Crossing Fireline paid attention to Asian transnational revolutionaries, ranging from now anonymous Korean leftist scholar Kim Yung-kun, Japanese red army filmmaker Masao Adachi to the father of Chinese pop music Li Jinhui.
‘Banna in the Room’ presented by paan is a collaborative work by Chen Xi, Aung and Jiahui Zeng.
Aung is currently doing his apprenticeship in Anthropology, working among migrants in South and Southeast Asia. Growing up in a coastal town in China, he has been exploring and learning about the languages, the communities, the religions etc. in South and Southeast Asia for the past several years, with his curiosity and pursuit of knowledge.
Jiahui Zeng works as an editor in several formal and informal publishings, ranging from paan to a series of books focusing on Southeast Asian literature and non-fiction. She is also a PhD student in the sociology department, Tsinghua University. Her research interestes include Indonesia Islam and social movements.
Chen Xi is a post-doctoral fellow at Tsinghua University, Beijing. She received her doctoral degree in East Asian Studies at the University of Toronto. Her current research interest focuses on the trans-cultural conception of the animal and the formation of interspecies relationships in modern China.